See Remote course syllabus Fall 2020 posted on D2L
Bibliography and Suggestions for Visual Research
Many of the slides shown in his course were taken from the following books. Some of these can be found in the Manderino library, and all can be obtained through inter-library loan. To purchase used books and textbooks, search for listings on Bookfinder.com
Contemporary Art and Drawing
Vitamin D: New Perspectives in Drawing. London: Phaidon Press, 2005
Jordan Kantor. Drawing from the Modern. New York: Museum of Modern Art, 2005
Thomas and Jackson. On Paper: New Paper Art: London: Crafts Council Gallery, 2001
Catherine de Zegher and Cornelia Butler. On Line: Drawing Through the Twentieth Century. New York: Rizzoli, 2010
Catherine De Zegher and Thelma Golden. Julie Mehretu: The Drawings New York: Rizzoli, 2007
Posner, Helaine. Kiki Smith. Boston: Bullfinch Press, 1998
Kerry James Marshall. New York: Abrams, 2000
Schjeldahl, Peter. Eric Fischl. New York: Stewart, Tabori & Chang, 1988
Dennison, Lisa, et al, Ross Bleckner. New York: Guggenheim, 1995
Weissman, Benjamin. Darren Waterston. Los Angeles: St Anne’s Press, 2001
Linker, Kate. Love for Sale: The Words and Pictures of Barbara Kruger. New York: Abrams, 1990
Couma-Peterson, Thalia. Miriam Shapiro. New York: Abrams, 2001
Phillips, Lisa and Kertess Klaus. Terry Winters. New York: Whitney Museum, 1992
Schjeldahl, Peter and Phillips, Lisa. Cindy Sherman. New York: Whitney Museum, 1987
- Bourgeois and L. Rinder. Louise Bourgeois: Drawings and Observations
Temkin and Rose. Thinking is Form: The Drawings of Joseph Beuys. New York: MOMA, 1993
Schnabel, Julien. C.V.J. New York: Random House, 1987
Jean Michel Basquiat. Tokyo: Art at Random, 1992
Rosenthal, Mark. Jonahan Borofsky. New York: Whitney Museum of Art, 1985
Caldwell, John, et al. Sigmar Polke. San Francisco: San Francisco Museum of Art, 1990
Kiefer, Anselm. A Book: Transition from Cool to Warm Boston: Museum of Fine Arts, 1988
Gilmour, John. Fire on Earth: Anselm Kiefer and the Postmodern World. Temple U. Press: Philadelphia, 1990
Clemente, Francesco. Evening Raga and Paradiso. New York, Rizzoli, 1992
de L’ecotais, Emmanuelleand Ware, Katherine. Man Ray: 1890-1976. Koln: Taschen, 2000
Goldman, Judith. James Rosenquist. Denver: Denver art Museum, 1985
Elderfield, John. The Drawings of Richard Deibenkorn. New York: Houston Fine Arts Press, 1988
Hughes, Robert. Frank Auerbach. London: Thames and Hudson, 1989
Corn, Wanda. The Art of Andrew Wyeth. Greenwich, CT: New York Graphic Society, 1973
Gohr, Siegfried. Georg Baselitz: Prints. Munich: Prestel-Verlag, 1984
Sigmar Polke. History of Everything: Paintings and Drawings. New Haven: Yale University Press, 2004
Leiris, Michel. Francis Bacon. New York: Rizzoli, 1983
Phyllis Plous. Terry Winters: Painting and Drawing. Seattle: Univ. of Washington Press, 1987
Saar, Betye. Extending the Frozen Moment. Ann Arbor, University of Michigan Museum of Art, 2006
Figure Drawing
The Notebooks of Leonardo Da Vinci. New York: Dover Publications, 1970
O’Malley and Saunders. Leonardo Da Vinci on the Human Body: The Anatomical, Physiological, and Embryological Drawings. New York: Wings Books, 1982
Strauss, Walter. The Comlpete Drawings of Albrecht Durer. (6 Volumes)New York: Abaris Books, 1974
Albrecht Durer: the Human Figure. The Complete Dresden Sketchbook. New York: Dover, 1927
Ames-Lewis, Francis. The Draftsman Raphael. New Haven: Yale University Press, 1986
Berenson, Bernard. The Drawings of the Florentine Painters. Chicago: U. of Chicago Press, 1970
Hale, Robert Beverly. Drawing Lessons from the Great Masters. New York: Watson-Guptill, 1965
Bammes, Gottfried. Complete Guide to Life Drawing. Tunbridge Wells, Kent: Search Press: 2011
Tietze, Hans& Erica. The Drawings of the Venetian Painters in the 15th and 16th Centuries. NY: J. Augustin, 1970
Rosenberg, Jakob. Great Draughtsmen from Pisanello to Picasso, Cambridge: Harvard U. Press, 1959
Berenson, Bernard. The Drawings of the Florentine Painters. Chicago: Univ. of Chicago Press, 1970
Marks, Claude. From the Sketchbooks of the Great Artists. New York: Thomas Crowell Co., 1972
Moskowitz, Ira. Great Drawings of All Time. New York: Shorewood Publishers, 1962
Scheidig, Walther. Rembrandt’s Drawings. Boston: Boston Book and Art Shop, Inc.
Adhemar and Cachin. Degas: The Complete Etchings, Lithographs, and Monotypes. Secaucus, NJ: Chartwell, 1974
Olszewski, Edward. The Draftsman’s Eye:Late Renaissance Schools and Styles.Cleveland Museum of Art, “81
Lampert, Catherine. Rodin: Drawings and Sculpture. Arts Council of Great Britain, 1986
Odilon Redon. Memphis: Dixon Gallery and Gardens, 1990
Kahn, Gustave. The Drawings of Georges Seurat. New York: Dover, 1971
Johnson, Una. 20th Century Drawings: 1900 to the Present. New York: Bonanza Books, 1964
Sayre, Eleanor. The Changing Image: Prints by Francisco Goya. Boston: Museum of Fine Arts, 1974
Segy, Ladislas. African Sculpture. New York: Dover, 1958
Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955
Muybridge, Eadweard. Animals in Motion. New York: Dover Publications, 1955
The Human Figure in Early Greek Art Greek: Greek Ministry of Culture/National Gallery, Washington, DC, 1987
Zigrosser, Carl. Kathe Kollwitz. New York: Bittner and Company, 1946
Kahn, Gustave. The Drawings of Georges Seurat. New York: Dover,1971
Drawing Instruction
Elkins, James. Why Art Cannot Be Taught: A Handbook for Art Students. Chicago: U. of Illinois, 2001
Goldfinger, Eliot. Human Anatomy for Artists: the Elements of Form. New York: Oxford University Press, 1991
Beck, James. Leonardo’s Rules of Painting. New York: The Viking Press, 1979
Betti and Sale, 4th Ed. Drawing: A Contemporary Approach. Harcourt and Brace
Ruskin, John. The Elements of Drawing. New York: Dover Publications, 1971
Brown and McLean, Drawing fom Life. Thomson /WadsworthBelmont, CA, 2004
Goldstein, Nathan. Figure Drawing: The Structure, Anatomy, and Expressive Design of Human Form. Upper Saddle River, NJ, Prentice-Hall, 1999
Betti and Sale, 4th Ed. Drawing: A Contemporary Approach. Harcourt and Brace
Simmons and Weiner. Drawing: The Creative Process. Englewood Cliffs, NJ: Prentice-Hall, 1977
Art Theory and History
Barkhatova, Elena. Russian Constructivist Posters. Paris: Flammarion, 1992
Chipp, Herschel B., ed. Theories of Modern Art. Berkeley, University of California Press, 1998
Clark, Kenneth. The Nude: A Study in Ideal Form. New York: Pantheon, 1953
Crary, Jonathan and Ferer, Michel, ed. Fragments for a History of the Human Body, 3 Vol. New York: Zone, 1989
Fineberg, Jonathan. Art Since 1940: Stategies of Being. Upper Saddle River, NJ, 1995
Goldwater, Robert, ed. Artists on Art from the 15th to 20th Century. New York, Pantheon Books, 1964
Gombrich, E. H. Art and Illusion, Princeton:N.J.:Princeton University Press, 1969
Haslam, Malcolm. The Real World of the Surrealists. New York: Galley Press, 1978
Harrison and Wood. Art in Theory: 1900-1990. Cambridge: Blackwell, Blackwell, 1992
Hofstadter, Albert, ed. Philosophies of Art and Beauty: Selected Readings in Aesthetics from Plato to Heidegger. NY: Modern Library, 1964
Kristeva, Julia. Powers of Horror: An Essay on Abjection. Columbia University Press, New York, 1982
Pack, Susan, Film Posters of the Russian Avant-Garde. New York: Taschen, 1995
Nietzsche, Friedrich. The Birth of Tragedy. New York: Dover Editions, 2006
Schaffner, Ingrid. Salvidor Dali’s Dream of Venus: The Surrealist Funhouse. NY: Princeton Architectural Press, 2002
Art and Culture, Art and Feminism
Reckitt, Helena, Ed. Art and Feminism, New York, Phaidon Press, 2006
Carol Armstrong, and Catherine de Zegher. Border Crossings: Women Artists at the Millennium. Cambridge, MIT Press: 2006
Broude, Norma. The Power of Feminist Art. New York: Abrams, 1976
Catherine de Zegher. Inside the Visible: An Elliptical Traverse of 20th Century Art in, of, and From the Feminine, Cambridge: MIT Press, 1996
Lucie-Smith, Edward. Race, Sex and Gender in Contemporary Art. New York: Abrams, 1994
Paglia, Camille. Sex, Art, and American Culture: Essays. N.Y.:Vintage, 1992
Guerrilla Girls. The Guerrilla Girls’ Bedside Companion to the History of Western Art. London: Penguin Books, 1998
Guerrilla Girls. Bitches, Bimbos, and Ballbreakers: The Guerrilla Girls’ Illustrated Guide to Female Stereotypes. London: Penguin Books, 2003
Guerrilla Girls. Confessions of the Guerrilla Girls. How a Bunch of Masked Avengers Fight Sexism and Racism in the Art World with Facts, Humor and Fake Fur. New York City: HarperCollins, 1995.
See link to complete Guerrilla Girl bibliography
http://womhist.alexanderstreet.com/ggirls/biblio.htm.
Saunders, Gill. The Nude: A New Perspective. New York: Harper and Row, 1989
Norris and Benjamin, What is Deconstruction? New York: St. Martin’s, 1988
Appignanesi and Garratt. Introducing Postmodernism. N.Y: Totem, 1977
Goffman, Erving. Gender Advertisements. New York: Harper and Row, 1979
Berger, John. Ways of Seeing. London: British Brouadcasting Corporation, 1977
Dissanayake, Ellen. Homo Aestheticus. N.Y.: Free Press, 1992
Gablick, Suzi. Has Modernism Failed? New York: Thames and Hudson, 1984
Hauser, Arnold. The Social History of Art. N. Y. Vintage, 1951
Varnedoe and Gopnik. High and Low. Modern Art and Popular Culture. New York: Abrams, 199
Art and Nature, Art and Ecology
Grande, John K. Art Nature Dialogues: Interviews with Environmental Artists, New York: S.U.N.Y Press, 2004
Baker, Steve, The Postmodern Animal, London: Reaktion Books, 2000
Clark-Langager, S. and Deitrich, M. Critical Messages: Contemporary Northwest Artists on the Environment, Bellingham and Salem: Western Gallery and Halle Ford Museum of Art, 2010
Matilsky, Barbara. Fragile Ecologies: Contemporary Artists’ Interpretations and Solutions. New York: Rizzoli, 1992
Gablick, Suzi. Conversations Before the End of Time, New York: Thames and Hudson, 1995
Smith Stephie; Beyond Green: Toward a Sustainable Art. Chicago and New York: Smart Museum of art and Universty of Chicago, 1992
Avigikos, Jan. Green Piece. Artforum (April 1991):105-110
Boettger, Susan. Global Warmings. Art in America (June/July 2008): 154-161, 206-207
Brookner, Jackie. Ed. Art and Ecology. Art Journal 51, no. 2 (Summer 1992)
Cembalest, Robin. The Ecological Art Explosion. ARTnews (Summer 1991): 97-105
Cembalest, Robin. Turning Up the Heat. ARTnews (June 2008): 102-115
Livingston, Ira. Sustainability and Apocalypticism. PRATTfolio (NewYork: Pratt Institute of Art), Spring 2008: 46-47
Wolff, Rachel. Turning Over a New Leaf. ARTnews (April 2009): 88-95.
Markonish, Denise, ed. Badlands: New Horizons in Landscape. North Adams, MA: MASS MoCA. 2009
Andrews, Malcolm. Landscape and Western Art. New York: Oxford University Press, 1999
Morris, Robert, Earthworks: Land Reclamation as Sculpture. Seattle: Seattle Art Museum:1979
Penault, Madeleine, The Painter as Naturalist: from Durer to Redoute, Paris: Flammarion, 1991
Diana Donald and Jane Munro. Endless Forms: Charles Darwin and the Visual Arts. New Haven: Yale University Press, 2009
Carol Armstrong and Catherine de Zegher. Ocean Flowers: Impressions from Nature: Princeton: Princeton University Press, 2004
Lippincott, and Bluhm. Fierce Friends: Artists and Animals, 1750-1900. Pittsburgh: Carnegie Museum, 2006.
Clark, Kenneth. Animals and Men. New York: Wm. Morrow and Co., 1977.
Blossfeldt, Karl. Art Forms in the Plant World. New York: Dover Publications, 1985.
Dance, S. Peter. The Art of Natural History. New York, Arch Cape Press, 1990
Haeckel, Ernst. Art Forms from the Ocean. New York: Prestel Verlag, 2005.
—————–. Art Forms in Nature. New York: Dover Publications, 1974.
Lack, H. Walter. Masterpieces of Botanical Illustration: Garden of Eden. New York: Taschen, 2001.
Ormond, Richard. Sir Edwin Landseer. London: The Tate Gallery, 1981
Cook, Theodore. The Curves of Life: Being an Account of Spiral Formations and their Application to Growth in Nature, Science, and Art. New York: Dover, 1979
Art, Science, and Technology
Robin, Harry. The Scientific Image: from Cave to Computor. New York: Abrams, 1992
Kemp, Martin and Wallace Marina, Spectacular Bodies: The Art and Science of the Human Body
from Leonardo to Now. Berkeley: U. of Cal. Press, 2000
Kemp, Martin. The Science of Art. New Haven, Conn.: Yale University Press, 1992
Schlain, Leonard. Art and Physics. New York: Morrow, 1991.
Rifkin and Ackerman. Human Anatomy (from the Renaissance to the Digital Age). New York: Abrams, 2006
Hale, Nathan Cabot. Abstraction in Art and Nature. New York: Watson-Guptill, 1980
Doczi, Gyorgy. The Power of Limits: Proportional Harmonies in Nature, Art, and Architecture. Boulder and London: Shambala, 1981
Mandelbrot, Benoit. The Fractal Geometry of Nature. New York: Freeman and Co., 1977
Hildebrandt and Tromba. Mathematics and Optimal Form. New York: Scientific American, 1984
Schwenk, Theodor. Sensitive Chaos: the Creation of Flowing Forms in Water and Air. London: Steiner Pr., 1965
D’Arcy Thompson. On Growth and Form. London: Cambridge University Press
Augarten, Stan. State of the Art: A Photographic History of the Integrated Circuit. NY: Ticknor & Fields, 1983
Twentieth Century Engineering. New York: Museum of Modern Art, 1964
Rappaport/Stayton. Vital Forms: American Art and Design in the Atomic Age, 1940-1960. NY: Abrams, 2001
Lucic, Karen, Charles Scheeler and the Cult of the Machine, London: Reaktion Books, 2000
History of Symbols, Iconography, Mythology
Jung, Carl. Man and His Symbols. New York: Doubleday, 1971
Campbell, Joseph. The Mythic Image. Princeton: Princeton University Press, 1974
Historical Atlas of World Mythology. New York: Harper and Row, 1988
The Power of Myth. New York: Doubleday, 1988
Grabar, Oleg. The Mediation of Ornament. Princeton: Bollingen Series, U.of Princeton Press, 1989
Leidy and Thurman. Mandala: the Architecture of Enlightenment. Boston: Shambala, 1998
Hall, James Dictionary of Subjects and Symbols in Art
Cormac, Robin, Painting the Soul: Icons, Death Masks and Shrouds, London: Reaktion Books, 1997
Fabricus, Johannes. Alchemy: The Medieval Alchemists and their Royal Art, London: Diamond Books, 1989
Titles from Thames and Hudson Art and Imagination Series. (40 illustrated books with many wonderful pictures!)
Design and Ornament
Jones, Owen. The Grammar of Ornament. New York: Portland House, 1986
Lehner, Ernst. Signs, Symbols and Signets. New York: Dover, 1950
Speltz, Alexander. Styles of Ornament. New York: Grosset and Dunlap
Thornton, Peter. Form and Decoration: Innovation in the Arts: 1470-1870, New York: Abrams, 1998
Zaczek, Iain. Essential William Morris Bath, England: Dempsey Parr, 1999
Itten, Johannes, Design and Form: The Basis Course at the Bauhaus and Later. New York: Van Nostrand, 1975